Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v

Name: Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v
Duration: 56 s
Description: Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v a song by Tsippi Fleischer on Internet Music

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v a song by Tsippi Fleischer on Internet Music

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth by Tsippi Fleischer , Fu'ad Rifka , Sasson Somekh , Members of the Moravian Philharmonic Orchestra , Peter Vronsky ,
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids by Tsippi Fleischer , Shawki Abi-Shakra , Sasson Somekh , Members of the Moravian Philharmonic Orchestra , Peter Vronsky ,
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote by Tsippi Fleischer , Muhammad al-Maghut , Sasson Somekh , Members of the Moravian Philharmonic Orchestra , Peter Vronsky ,
Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl by Tsippi Fleischer , Unsi al-Hajj , Sasson Somekh , Members of the Moravian Philharmonic Orchestra , Peter Vronsky ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you by Tsippi Fleischer , Al-Khansa (6th century) , Naked Voices , Tamir Chasson , Yoav Weiss , Oded Hadar , Yuval Shapira , Ziv Stein ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in o by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the voca by Tsippi Fleischer ,
Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic by Tsippi Fleischer ,
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth by Tsippi Fleischer , Fu'ad Rifka , Moravian Philharmonic Orchestra , Peter Vronsky , Yael Levita ,
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids by Tsippi Fleischer , Shawki Abi-Shakra , Moravian Philharmonic Orchestra , Peter Vronsky , Yael Levita ,
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote by Tsippi Fleischer , Muhammad al-Maghut , Moravian Philharmonic Orchestra , Peter Vronsky , Yael Levita ,
Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl by Tsippi Fleischer , Unsi al-Hajj , Moravian Philharmonic Orchestra , Peter Vronsky , Yael Levita ,
Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote') by Tsippi Fleischer , Muhammad al-Maghut , Christine Bohnenkamp ,