Roberta Alexander
Roberta Alexander (born March 3, 1949) is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
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Miroir De Peine: I. Agonie au Jardin - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Miroir De Peine: II. Flagellation - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Miroir De Peine: III. Couronnement D'épines - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Miroir De Peine: IV. Portement de Croix - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Miroir De Peine: V. Crusifixion - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Magna res est Amor - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Fiat Domine - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Variations and Fugue on a Theme by Kuhnau - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Variations on a Theme by Couperin - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Chromatic Variations - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concertino for Cello and Orchestra: I. Largo - Allegro Ma Non Troppo - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concertino for Cello and Orchestra: II. Allegro Con Spirito - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concertino for Oboe with String Orchestra: I. Sonata, Allegro - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concertino for Oboe with String Orchestra: II. Aria. Andante - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concertino for Oboe with String Orchestra: III. Fugato a Capriccio. Allegro Ma Non Troppo - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Canzona for Cello Solo and Orchestra - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concerto for Violin and Orchestra: I. Allegro Moderato - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concerto for Violin and Orchestra: II. Grave E Lento - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Concerto for Violin and Orchestra: III. Allegro Vivace - Andriessen: Miroir de Peine, Orchestral Music & Concertos -
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Die Bakchantinnen, Op. 44, Act I: Von Asiens Erde - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act II: Overture - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Mänaden! Hochgeweihte Schar, blickt auf! - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act II: Nicht weiter, Herr! - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Der Ruf, kam er von hier? - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act II: Bakchos! Bakchos! - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Er hört uns nicht - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act II: Heil dir, mein Vater - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Ihr da, was gibts? - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act II: Weh, Kind, die alte Schuld! - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Was soll der Ungestüm - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Pentheus! Wer ruft? - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Wer tat den Schrei? - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Mutter! - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Die Bakchantinnen, Op. 44, Act I: Herr, frohe Botschaft - Wellesz: Die Bakchantinnen, Op. 44 (Musica Rediva) -
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Symphony No. 5 in E Minor, Op. 64, TH 29: II. Andante cantabile, con alcuna licenza - The 50 Absolute Essentials of Classical Music -
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Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - The 50 Absolute Essentials of Classical Music -
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Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - The 50 Absolute Essentials of Classical Music -
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Piano Concerto in A Minor, Op. 54: II. Intermezzo - Andantino grazioso - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace - The 50 Absolute Essentials of Classical Music -
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Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro - The 50 Absolute Essentials of Classical Music -
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Violin Concerto No. 1 in G Minor, Op. 26: III. Finale - Allegro energico - Redbook Stereo - The 50 Absolute Essentials of Classical Music -
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Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato - The 50 Absolute Essentials of Classical Music -
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Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo - The 50 Absolute Essentials of Classical Music -
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Violin Concerto in D Major, Op. 35: III. Finale. Allegro vivacissimo - The 50 Absolute Essentials of Classical Music -
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Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - The 50 Absolute Essentials of Classical Music -
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Violin Concerto in D Minor, Op. 47: II. Adagio di molto - The 50 Absolute Essentials of Classical Music -
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Violin Concerto in B Minor, Op. 61: I. Allegro - The 50 Absolute Essentials of Classical Music -
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Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - The 50 Absolute Essentials of Classical Music -
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Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo - The 50 Absolute Essentials of Classical Music -
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Requiem in D Minor, K. 626: I. Introitus. Requiem aeternam - The 50 Absolute Essentials of Classical Music -
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Messa da Requiem: Dies irae: Dies Irae - The 50 Absolute Essentials of Classical Music -
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Mass in B Minor, BWV 232 "Hohe Messe": Chorus - Kyrie eleison - The 50 Absolute Essentials of Classical Music -
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St. Mathew Passion, BWV 244: "Erbarme dich" - The 50 Absolute Essentials of Classical Music -
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Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten - The 50 Absolute Essentials of Classical Music -
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Requiem in D Minor, Op. 48: Agnus Dei - The 50 Absolute Essentials of Classical Music -
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Messiah, HWV 56: No. 12 Chorus - For unto Us a Child is Born - The 50 Absolute Essentials of Classical Music -
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Die Schöpfung, Hob. XXI: 2: No. 34 - Singt dem Herren alle Stimmen! - The 50 Absolute Essentials of Classical Music -
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Carmina burana: O Fortuna - The 50 Absolute Essentials of Classical Music -
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Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - The 50 Absolute Essentials of Classical Music -
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Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo - The 50 Absolute Essentials of Classical Music -
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Symphony No. 5 in C-Sharp Minor: I. Trauermarsch - The 50 Absolute Essentials of Classical Music -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus: "Veni, creator spiritus" - The 50 Absolute Essentials of Classical Music -
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Symphony No. 2 in C Minor, "Resurrection": V. Im Tempo des Scherzos - The 50 Absolute Essentials of Classical Music -
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Symphony No. 7 in E Major, WAB 107: I. Allegro moderato - The 50 Absolute Essentials of Classical Music -
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1886 Version, ed. L. Nowak): II. Andante quasi allegretto - The 50 Absolute Essentials of Classical Music -
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Symphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio - The 50 Absolute Essentials of Classical Music -
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Symphony No. 5 in D Minor, Op. 47: I. Moderato - The 50 Absolute Essentials of Classical Music -
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Symphony No. 7 in C Major, Op. 60, "Leningrad": I. Allegretto - The 50 Absolute Essentials of Classical Music -
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Götterdämmerung, WWV 86D: Brunhilde's Immolation Scene - 1991 Remastered Version - The 50 Absolute Essentials of Classical Music -
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Tristan und Isolde, WWV 90: Prelude - The 50 Absolute Essentials of Classical Music -
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Aida: Gloria all'Egitto - The 50 Absolute Essentials of Classical Music -
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La Bohème: Act I: Che gelida manina - The 50 Absolute Essentials of Classical Music -
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Tosca: Act II - Vissi d'arte - The 50 Absolute Essentials of Classical Music -
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Die Zauberflöte, K. 620: Pa-Pa-Pa-Papagena! - The 50 Absolute Essentials of Classical Music -
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Don Giovanni, K. 527: Là ci darem la mano - The 50 Absolute Essentials of Classical Music -
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Le nozze di Figaro, K. 492: No. 21 Duettino: "Sull'aria?..Che soave zeffiretto" - The 50 Absolute Essentials of Classical Music -
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La traviata: Act I: Libiamo ne' lieti calici (Brindisi) - The 50 Absolute Essentials of Classical Music -
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Norma: Act I: Casta diva - The 50 Absolute Essentials of Classical Music -
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Madama Butterfly: Act II, Un bel di vedremo - The 50 Absolute Essentials of Classical Music -
Roberta Alexander
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