London Classical Players
The London Classical Players (LCP) was a British orchestra that specialized in music following historically informed performance (HIP) practices and orchestral performances on period musical instruments. Sir Roger Norrington founded the LCP in 1978. From 1978 to 1992, the concertmaster of the London Classical Players was baroque violinist John Holloway. The LCP made a variety of recordings for EMI Classics. Many of the players in the LCP overlapped with four other major HIP orchestral ensembles, the Academy of Ancient Music, the English Concert, the Orchestra of the Age of Enlightenment, and the English Baroque Soloists.
Among their famous concert series was "The Beethoven Experience" in 1987, and "The Berlioz Experience" in 1988. In 1996, the LCP was invited to open the Prague Spring Festival in the traditional opening festival concert of Bedrich Smetana's Ma Vlast, a controversial decision at the time.
In 1997 the LCP formally dissolved and its work was absorbed into the Orchestra of the Age of Enlightenment.
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Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Finale. Adagio - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Brahms: Symphonies Nos. 1 - 4 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IX. Finale - Andante - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Tragic Overture, Op. 81 - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 -
London Classical Players
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Mozart: Don Giovanni, K. 527: Overture - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Introduzione. "Notte e giorno faticar" - "Lasciala, indegno!" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Leporello, ove sei?" (Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Ah! Del padre in periglio" - Recitativo accompagnato. "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Duetto. "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Orsù, spicciati presto" (Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Ah! Chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Chi e la?" (Donna Elvira, Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo e questo" (Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "In questa forma dunque" (Donna Elvira) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Coro. "Giovinette che fate all'amore" (Zerlina, Masetto, Coro) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Manco sale è partita" (Don Giovanni, Leporello, Zerlina, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Ho capito, signor si" (Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Alfin siam liberati" (Don Giovanni, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Ah, fuggi il traditor" (Donna Elvira) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Mi par ch'oggi il demonio si diverta" - Recitativo. "Ah! ti retrovo ancor" (Donna Elvira, Don Giovanni, Don Ottavio, Donna Anna) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Quartetto. "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Povera sventurata!" (Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo accompagnato. "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Or sai chi l'onore" (Donna Anna) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Come mai creder deggio" (Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Io deggio ad ogni patto" (Leporello, Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Fin ch'han dal vino" (Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Masetto, senti un po'!" (Zerlina, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Batti, batti, o bel Masetto" (Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Recitativo. "Guarda un po'" (Masetto, Don Giovanni, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: Finale. "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Coro) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: "Riposate, vezzose ragazze!" (Don Giovanni, Leporello, Masetto, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: "Venite pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 1: "Ecco il birbo che t'ha offesa" - "Trema, trema, o scellerato!" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Duetto. "Eh via buffone, non mi seccar" (Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Leporello!" (Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Terzetto. "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Amico, che ti par?" - "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "V'è gente alla finestra" (Don Giovanni, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Aria. "Metà di voi qua vadano" (Don Giovanni) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Zitto! lascia ch'io senta" - Recitativo. "Ahi! Ahi! la testa mia" (Don Giovanni, Masetto, Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Aria. "Vedrai, carino" (Zerlina) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Di molte faci il lume" (Leporello, Donna Elvira) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Sestetto. "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Sestetto. "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Aria. "Ah, pietà, signori miei" (Leporello) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Recitativo. "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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Mozart: Don Giovanni, K. 527, Act 2: Aria. "Il mio tesoro intanto" (Don Ottavio) - Mozart: Don Giovanni, K. 527 (Prague Version) -
London Classical Players
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