Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1: Sinfonia - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 1: Accompagnato. "Comfort Ye My People" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 2: Accompagnato. "Thus Saith the Lord" - Handel: Messiah, HWV 56 -
Margaret Cable
-
Handel: Messiah, HWV 56, Pt. 1, Scene 2: Aria. "But Who May Abide" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 2: Chorus. "And He Shall Purify" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 3: Recitative. "Behold, a Virgin Shall Conceive" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 3: Aria and Chorus. "O Thou That Tellest Good Tidings" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 3: Accompagnato. "For Behold, Darkness Shall Cover the Earth" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 3: Aria. "The People That Walked in Darkness" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 3: Chorus. "For Unto Us a Child Is Born" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 4: Pastoral Symphony "Pifa" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 4: Recitative. "There Were Shepherds Abiding in the Field" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 4: Chorus. "Glory to God" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria. "Rejoice Greatly, O Daughter of Zion" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 5: Recitative. "Then Shall the Eyes of the Blind Be Opened" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria. "He Shall Feed His Flock" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 1, Scene 5: Chorus. "His Yoke Is Easy" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "Behold the Lamb of God" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Aria. "He Was Despised and Rejected of Men" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "Surely He Hath Borne Our Griefs" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "And with His Stripes We Are Healed" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "All We Like Sheep Have Gone Astray" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Accompagnato. "All They That See Him" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "He Trusted in God" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Accompagnato. "Thy Rebuke Hath Broken His Heart" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 1: Arioso. "Behold, and See" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 2: Accompagnato. "He Was Cut Off" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 2: Aria. "But Thou Didst Not Leave His Soul" - Handel: Messiah, HWV 56 -
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Handel: Messiah, HWV 56, Pt. 2, Scene 3: Chorus. "Lift Up Your Heads" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 4: Recitative. "Unto Which of the Angels" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 4: Chorus. "Let All the Angels of God Worship Him" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 5: Aria. "Thou Art Gone up on High" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 5: Chorus. "The Lord Gave the Word" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 5: Aria. "How Beautiful Are the Feet" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 5: Chorus. "Their Sound Is Gone Out" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 6: Aria. "Why Do the Nations" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 6: Chorus. "Let Us Break Their Bonds Asunder" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 6: Recitative. "He That Dwelleth in Heav'n" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 2, Scene 7: Aria. "Thou Shalt Break Them" - Handel: Messiah, HWV 56 -
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Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. "I Know That My Redeemer Liveth" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 1: Chorus. "Since by Man Came Death" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 2: Accompagnato. "Behold, I Tell You a Mystery" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 2: Aria. "The Trumpet Shall Sound" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 3: Recitative. "Then Shall Be Brought" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 3: Duet. "O Death, Where Is Thy Sting?" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 3: Chorus. "But Thanks Be to God" - Handel: Messiah, HWV 56 -
Margaret Cable
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Handel: Messiah, HWV 56, Pt. 3, Scene 3: Chorus. "If God Be for Us" - Handel: Messiah, HWV 56 -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: Sinfonia - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Ist dieses, o so zweifle nimmermehr" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118: Overtura - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Troppo mal corrisponde" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Die löblich' und gerechte Bitte" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Schildre einen Philosophen" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Popoli di Betulia" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Se Dio veder tu vuoi" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Mit Jammer muss ich schauen" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Wen hör' ich nun hier in der Nähe" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "D'ogni colpa la colpa maggiore" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Confuso io son" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "So vieler Seelen Fall" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Manches Übel will zuweilen" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "E in che sperar?" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Quel nocchier che in gran procella" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Ein ergrimmter Löwe brüllet...Was glaubst du" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Er hält mich einen Kranken gleich...Hast du nunmehr erfahren" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Ma qual virtù non cede" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Lungamente non dura" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Erwache, fauler Knecht" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Lasst mich euer Gnade Schein" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Già le memorie antiche" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Prigioner che fa ritorno" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Er reget sich" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Kommet her, ihr frechen Sünder, K.146 - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Non hai cor" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Seconda: "Giuditta, Ozia" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Hat der Schöpfer dieses Leben" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Wo bin ich? bittrer Schmerz!" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "E qual pace sperate" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Dass Träume Träume sind" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Felsen, spaltet euren Rachen" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Pietà, se irato sei" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Die Schuldigkeit des ersten Gebots, K.35: "Jener Donnerworte Kraft" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Geliebter Seel, was redest du?" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Chi è costei" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Betracht dies Herz und frage mich" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Del pari infeconda" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "O Himmel, was ein traurig Licht" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Oh saggia, oh santa" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Jesu, was hab' ich getan? - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Pietà, se irato sei" - Reprise - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "O lobenswerter Sinn! - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Signor, Carmi a te viene" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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Grabmusik, K.42: "Jesu, wahrer Gottessohn" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Terribile d'aspetto" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Ti consola, Achior" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Parto inerme, e non pavento" - Mozart 225 - Complete Sacred Music -
Margaret Cable
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La Betulia liberata, K.118 / Parte Prima: "Oh prodigo! Oh stupor!" - Mozart 225 - Complete Sacred Music -
Margaret Cable
-
Mass in G, "Missa Sancti Nicolai", Hob.XXII:6 - Ed. H.C. Robbins Landon: 1. Kyrie - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa rorate coeli desuper, Hob.XXII:3 - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Kyrie - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 1. Kyrie - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in G, "Missa Sancti Nicolai", Hob.XXII:6 - Ed. H.C. Robbins Landon: 2. Gloria - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 1a. Kyrie eleison - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Gloria - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 2. Gloria - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 1b. Christe eleison - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Credo - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 3. Credo - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 1c. Kyrie eleison - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 4. Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2a. Gloria in excelsis Deo - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Benedictus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 5. Benedictus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2b. Laudamus te - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Brevis in F Major, Hob.XXII: 1: Agnus Dei - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa in Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.XXII: 4: 6. Agnus Dei - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2c. Gratias - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 1. Kyrie - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10: Kyrie - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2d. Domine Deus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 2. Gloria - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Gloria: Gloria in excelsis Deo - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2e. Qui tollis - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 3. Credo - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Gloria: Gratias agimus tibi - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2f. Quoniam - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 4. Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Gloria: Quoniam tu solus Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2g. Cum Sancto Spiritu - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 5. Benedictus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Credo: Credo in unum Deum - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 3a. Credo in unum Deum - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 6. Agnus Dei - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Credo: Et incarnatus est - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Credo: Et resurrexit - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 3b. Et incarnatus est - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10: Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 3c. Crucifixus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10: Benedictus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 3d. Et resurrexit - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Agnus Dei: Agnus Dei - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 4. Sanctus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Agnus Dei: Dona nobis pacem - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 5. Benedictus - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 5a. Agnus Dei - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 5b. Dona nobis pacem - Haydn: The Complete Masses; Stabat Mater -
Margaret Cable
-
Schelomo - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Water Goblin, Op. 107, B.195 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Piano Concerto in F sharp minor, Op. 20: 1. Allegro - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Planets, Op. 32: I. Mars, the Bringer of War - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Le Papillon / Prelude and Act 1: Prélude and Act 1, Scene 1, Part 1 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
12 Etudes, Op. 10: No. 1 in C Major "Waterfall" - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Voice In the Wilderness - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
My Home, Op. 62, B. 125a - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Piano Concerto in F sharp minor, Op. 20: 2. Andante - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Planets, Op. 32: II. Venus, the Bringer of Peace - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Le Papillon / Prelude and Act 1: Scene 1, Part 2 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
12 Etudes, Op. 10: No. 2 in A Minor "Chromatique" - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Capriccio Espagnol, Op. 34: 1. Alborada - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Noonday Witch, Op. 108, B.196 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro moderato - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Planets, Op. 32: III. Mercury, the Winged Messenger - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Le Papillon / Prelude and Act 1: Scene 2, Part 1 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
12 Etudes, Op. 10: No. 3 in E Major "Tristesse" - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Capriccio Espagnol, Op. 34: 2. Variazioni - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Hussite Overture, Op. 67, B.132 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
Promethée - Le Poème du Feu, Op. 60 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
-
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Prelude and Act 1: Scene 2, Valse des Rayons - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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12 Etudes, Op. 10: No. 4 in C-Sharp Minor "Torrent" - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Capriccio Espagnol, Op. 34: 3. Alborada - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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The Golden Spinning Wheel, Op. 109, B.197 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Poème de l'Extase, Op.54 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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The Planets, Op. 32: V. Saturn, the Bringer of Old Age - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Prelude and Act 1: Scene 2, Conclusion - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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12 Etudes, Op. 10: No. 5 in G-Flat Major "Black Keys" - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Capriccio Espagnol, Op. 34: 4. Scena e canto gitano - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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The Planets, Op. 32: VI. Uranus, the Magician - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Act 2: Scene 1, Part 1 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Capriccio Espagnol, Op. 34: 5. Fandango asturiano - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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The Planets, Op. 32: VII. Neptune, the Mystic - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Act 2: Scene 1, Part 2 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Symphony No. 3 in C minor, Op. 78 "Organ Symphony": 1a. Adagio - Allegro moderato - - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Act 2: Scene 1, Part 3 - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Symphony No. 3 in C minor, Op. 78 "Organ Symphony": 1b. Poco adagio - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Act 2: Scene 2, Pas de deux - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Symphony No. 3 in C minor, Op. 78 "Organ Symphony": 2a. Allegro moderato - Presto - Allegro moderato - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Papillon / Act 2: Apotheosis - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Symphony No. 3 in C minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Castillane - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Andalouse - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Aragonaise - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Aubade - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Catalane - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Madrilène - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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Le Cid / Act 2: Navarraise - Decca Sound: The Analogue Years 1969 – 1980 -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Sire, Lord and Master" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And When the Soldiers Had Plaited a Crown Of Thorns" - Britten The Performer -
Margaret Cable
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Süßer Trost, mein Jesus kommt, Cantata BWV 151: 1. "Süßer Trost, mein Jesu kommt" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Jesus Went With His Disciples" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Thy Bonds, O Christ, Have Set Us Free" - Britten The Performer -
Margaret Cable
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Süßer Trost, mein Jesus kommt, Cantata BWV 151: 2. "Erfreue dich, mein Herz" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "O generous Love!" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "But the Jews Cried Out and Said" - Britten The Performer -
Margaret Cable
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Süßer Trost, mein Jesus kommt, Cantata BWV 151: 3. "In Jesu Demut kann ich Trost" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "So That the Word Might Be Fulfilled" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Haste, Ye Souls Forlorn and Weary" - Britten The Performer -
Margaret Cable
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Süßer Trost, mein Jesus kommt, Cantata BWV 151: 4."Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Thy Will Be Done, O God Of Love" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And There Crucified They Him" - Britten The Performer -
Margaret Cable
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Süßer Trost, mein Jesus kommt, Cantata BWV 151: 5. "Heut' schleußt er wieder auf die Tür" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "The Band Then, Together With the Captain" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Within My Heart, O Saviour" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Erster Teil: 1. "Herr, deine Augen sehen nach dem Glauben" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "To Release Me From the Prison" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And Then Did the Soldiers" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Erster Teil: 2. "Wo ist das Ebenbild" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Simon Peter Also Followed Jesus From Afar" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "When His Life Had Reached Its End" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Erster Teil: 3. "Weh, der Seele" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "I'll Follow Thee Also" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And From That Hour He Took Her Unto His Own Home" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Erster Teil: 4. "Verachtest du den Reichtum seiner Gnade" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Now That Same Disciple Was Known Unto the High Priest" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "The End Is Nigh" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Zweiter Teil: 5. "Erschrecke doch" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Ah, Who Would Dare To Smite Thee?" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "My Dearest Saviour, Wilt Thou Answer?" - Britten The Performer -
Margaret Cable
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Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102 / Zweiter Teil: 6. "Beim Warten ist Gefahr" - Live - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Now Annas Sent Him Bound Unto the High Priest" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And Then Behold, the Veil Of the Temple Was Rent" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Ah! Take Flight" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "My Heart, Behold How All the World" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part One: "Peter, Who Denied His Lord" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "With Torrents Of Weeping" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Christ, Who Gave Us Life and Light" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "The Jews Therefore, Because It Was the Preparation" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Then Led They Jesus From Caiaphas To the Judgement" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Help Us, Son Of God Most High" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Ah, King Of Heaven" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And After This, Joseph Of Arimethea" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "And Pilate Said Unto Him" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Farewell, O Weary, Broken Body" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Look Yonder, O My Soul" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Lord Jesus, When We Come To Die" - Britten The Performer -
Margaret Cable
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St. John Passion, BWV 245 / Part Two: "Consider, How His Body" - Britten The Performer -
Margaret Cable
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