Anne Pashley
Anne Pashley (5 June 1935 – 7 October 2016) was a British track and field sprinter, who represented Great Britain at the 1956 Summer Olympics. Following her track and field career, she made a second career as a soprano singer.
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Parsifal, Act I: Prelude (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Vom Bade kehrt der König heim (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Hier war das Tosen! Hier! Hier! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Wer nahet dort dem heil'gen Quell (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: He! Ho! Waldhüter ihr (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Verwandlungsmusik (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Komm'! Komm'! Holder Knabe! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Heil mir, dass ich dich wieder finde! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Seht dort, die wilde Reiterin! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nun achte wohl und lass mich seh'n (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Parsifal! Weile! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Zu ihm, des tiefe Klagen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Mein sohn Amfortas, bist du am Amt? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Dies alles - Hab' ich nun geträumt? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: O Herr! War es ein Fluch (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nicht Dank! Ha, ha! Was wird es helfen? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Wehvolles Erbe, dem ich verfallen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ich sah das Kind an seiner Mutter Brust (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Nicht so! Die heil'ge Quelle selbst (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: O wunden-wundervoller heiliger Speer! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Enthüllet den Gral! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Wehe! Wehe! Was tat ich? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Gesegnet sei, du Reiner, durch das Reine! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Titurel, der fromme Held (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Wein und Brot des letzten Mahles (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Amfortas! Die Wunde! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Wie dünkt mir doch die Aue heut so schön! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Weh! Weh! - Wer ist der Frevler? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Was stehst du noch da? (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Grausamer! Fühlst du im Herzen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Du siehst, das ich nicht so (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act I: Nun sag! Nichts weißt du, was ich dich frage (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Prelude - Die Zeit ist da (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Vergeh, unseliges Weib! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Mittag. Die Stund' ist da (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ach! Ach! Tiefe Nacht (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Prelude (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Geleiten wir im bergenden Schrein (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act II: Ho! Ihr Wächter! Ho! Ritter! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Von dort her kam das Stöhnen (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Ja, wehe! Weh' über mich (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Nur eine Waffe taugt (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Parsifal, Act III: Höchsten Heiles Wunder! (Live) - Wagner: Parsifal (Recorded Live 1971) -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: II. Adagio - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato – Largamente – Allegro moderato – Presto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio – Vivace assai - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto – Trio. Allegro molto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 1. Allegro con brio - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 2. Marcia funèbre (Adagio assai) - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 3. Scherzo (Allegro vivace) - Sir Colin Davis: The Icon -
Anne Pashley
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Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": 4. Finale (Allegro molto) - Sir Colin Davis: The Icon -
Anne Pashley
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Le nozze di Figaro, K. 492: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Così fan tutte: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Die Zauberflöte, K. 620: Overture - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 2: Interlude III: Sunday morning by the beach - Sir Colin Davis: The Icon -
Anne Pashley
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Peter Grimes, Op. 33 / Act 2: Interlude IV: Passacaglia - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: I. Rêveries – Passions - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: II. Un bal. Valse - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: III. Scène aux champs - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: IV. Marche au supplice - Sir Colin Davis: The Icon -
Anne Pashley
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Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat - Sir Colin Davis: The Icon -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: I. Allegro (cadenza by Mozart) - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: II. Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Finale - Allegro - - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 23 in A, K.488: III. Allegro assai - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegro molto - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: I. Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Adagio, ma non troppo - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: II. Tema con variazioni: Andante - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Marica, assai vivace - Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Trio in G, K.564: III. Allegretto - The Very Best of Daniel Barenboim -
Anne Pashley
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Fantasy for Piano, Chorus and Orchestra ,Op.80 'Choral Fantasia': Allegretto, ma non troppo (quasi Andante con moto) - Presto - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Thema : Allegretto - The Very Best of Daniel Barenboim -
Anne Pashley
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Jeux d'enfants (Petite Suite): Marche (Trompette et Tambour) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation I - The Very Best of Daniel Barenboim -
Anne Pashley
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Jeux d'enfants (Petite Suite): Berceuse (La poupée) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation II - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 1, Sz.83: Allegro moderato - Allegro - Allegro moderato - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation III - The Very Best of Daniel Barenboim -
Anne Pashley
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Preludes, Op.28: No. 4 in E minor (Largo) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IV - The Very Best of Daniel Barenboim -
Anne Pashley
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Piano Concerto No. 2 in B Flat Major, Op.83: III. Andante - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation V - The Very Best of Daniel Barenboim -
Anne Pashley
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Pavane Op. 50 (1887, orchestral version) - 1987 Digital Remaster - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VI - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Te Deum laudamus (choir/solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation VII - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Te ergo quaesumus (solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variaton VIII - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Aeterna fac cum sanctis tuis (solo quartet/choir) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation IX: Adagio - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: Salvum fac populum tuum (solo quartet/choir) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: Variation X: Allegro - The Very Best of Daniel Barenboim -
Anne Pashley
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Te Deum: In te, Domine, speravi (choir/solo quartet) - The Very Best of Daniel Barenboim -
Anne Pashley
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Variations on 'Les hommes pieusement' 'Le rencontre imprévue' by Gluck, K.455: (Tempo I) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Tra quest'arbori celata (Zerlina/Don Giovanni/Masetto) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver corragio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) - The Very Best of Daniel Barenboim -
Anne Pashley
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Don Giovanni, K.527, Act I, Scena quarta: Protegga il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira) - The Very Best of Daniel Barenboim -
Anne Pashley
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Symphony No.41 in C, K.551 'Jupiter': IV. Finale (Allegro molto) - The Very Best of Daniel Barenboim -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Credo in unum Deum - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Christe eleison - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Patrem omnipotentem - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison II - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et in unum Dominum - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et incarnatus est - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et in terra pax - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Crucifixus - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4b, Chor. "Ja nicht auf das Fest" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Laudamus te - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et resurrexit - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4c, Rezitativ. "Da nun Jesus war zu Bethanien" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Gratias agimus tibi - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et in Spiritum Sanctum - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Domine Deus - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Confiteor - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Qui tollis peccata mundi - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Et expecto - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Sanctus - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Quoniam tu solus sanctus - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Osanna in excelsis - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Benedictus - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Osanna repetatur - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9a, Rezitativ. "Aber am ersten Tage der süßen Brot" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Agnus Dei - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9b, Chor. "Wo willst du, dass wir dir bereiten" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Mass in B Minor, BWV 232: Dona nobis pacem - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9c, Rezitativ. "Er sprach; Gehet hin in die Stadt" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9d, Rezitativ. "Und sie wurden sehr betrübt" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9e, Chor. "Herr, bin ichs?" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten" - Bach: Die großen Chorwerke -
Anne Pashley
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter" - Bach: Die großen Chorwerke -
Anne Pashley
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